Ingrid Cogne (Mag., M.S., PhD.) is a French artist and researcher based in Vienna. She works as facilitator, dramaturge, and researcher across the fields of choreography, visual arts, sciences, and academia. Ingrid Cogne obtained a PhD with the research project Displacement(s) as Method(s)-developed in the contexts of the PhD in practice at the Academy of Fine Arts Vienna in cotutelle with the Centre d’Étude des Arts Contemporains at the University Lille 3.Read more
Cogne conceptualizes artworks in the form of articulated sculptures, expanded choreographies, artistic researches, and text-based objects—be it alone or in collaboration. She uses choreography as a way to create movement and suspension, circulation and time, positioning and displacement in relation to Economy, Knowledge, Work, and Individuals. Her work problematizes the dramaturgy of (existing or created) situations. With soft provocation for movement in representations and structures, Cogne likes to—slowly, progressively—shake and shift perceptions, projections, and perspectives. The Arts-based research projects initiated by Ingrid Cogne are: The dramaturgy of Conversation (2019-24, Elise Richter PEEK Stipendium) und Six Formats (2015-18, FWF, PEEK). Cogne is editor and co-author of the publications Dansbaren-The Mob without Flash (2016) and For and By Six Formats (2018).