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Ingrid Cogne

Ingrid Cogne (Mag., M.S., PhD.) is a French artist and researcher based in Vienna. She works as facilitator, dramaturge, and researcher across the fields of choreography, visual arts, sciences, and academia. Ingrid Cogne obtained a PhD with the research project Displacement(s) as Method(s)-developed in the contexts of the PhD in practice at the Academy of Fine Arts Vienna in cotutelle with the Centre d’Étude des Arts Contemporains at the University Lille 3.

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Cogne conceptualizes artworks in the form of articulated sculptures, expanded choreographies, artistic researches, and text-based objects—be it alone or in collaboration. She uses choreography as a way to create movement and suspension, circulation and time, positioning and displacement in relation to Economy, Knowledge, Work, and Individuals. Her work problematizes the dramaturgy of (existing or created) situations. With soft provocation for movement in representations and structures, Cogne likes to—slowly, progressively—shake and shift perceptions, projections, and perspectives. The Arts-based research projects initiated by Ingrid Cogne are: The dramaturgy of Conversation (2019-24, Elise Richter PEEK Stipendium) und Six Formats (2015-18, FWF, PEEK). Cogne is editor and co-author of the publications Dansbaren-The Mob without Flash (2016) and For and By Six Formats (2018).

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Object of Communication, 2018, Object, mixed material (cardboard, acrylglass, 3D printed objects, dice, plastic, printed material, stamp)
Tout es dit, 2021, Photography mounted on Dibond Photo of a homemade installation with Prototyp sitting on a chair 42 x 29,7 cm Edition: 3 + 3 AP
The I Value, 2022, Mixed materials, 25 cards of various sizes diameter unfold 24 cm
What IF #1, 2022
Spider, 2022, object/Garment, leather, eyelet
A manipuler with care
TEST 1

VISITING – 1/3 Video Tutorials of the Object of Communication (June 2018)PRESENTIFICATING – 2/3 Video Tutorials of the Object of Communication (June 2018)EXPANDING – 3/3 Video Tutorials of the Object of Communication (June 2018)

Ausbildung

2015: PhD in Practice, Institute for Art Theory and Cultural Studies, Academy of Fine Arts Vienna, Supervision: F. Thun-Hohenstein
2015: PhD, CEAC, Doctoral School Human and Social Sciences, University of Lille, Supervision: A. Boissière
2004: Master in Dance Anthropology, University Blaise Pascal, ClermontFerrand 2001: Mag. Sciences Techniques Physical Activities, Didactic and Pedagogy, University of Burgundy, Dijon

Exhibitions and performances (selection 2015-20)

2020: Rush Hour Knowledge?, lecture performance, at Fest En Fest 2020 – Expanded Choreography Festival, Goldsmiths MFA Fine Arts Studios, London
2020: Choreography and Dramaturgy of Knowledges, lecturepresentation of artistic research, #espace. Diskursive Streifzüge durch die raumtheoretische Praxis, Universität Wien at Blickle Kino, Belvedere 21, Vienna
2019: Pas le temps d’être triste, kinetic sculpture, at Memphis, Linz
2019: “Circulation of Knowledge”, lecture-performance, during Solkatter in Humlegården, Stockholm
2019: Platform and Do I look Fluid?, performance, at Inter Arts Center, Malmö 2018: a 20 min paper (between article and lecture-performance): diagramming censorship(s) across research-in-writing, lectureperformance, at Intersections 2018, Royal Central, School of Speech & Drama, University of London
2018: How can an object re-articulate knowledge?, installation, at Situations, NYC
2017: Meeting an audience—Practical (dramaturgical?) knowledge at play, situation, Theatre Studies Research Centre, University of Lisbon
2017: Format LECTURE-PERFORMANCE – Lecture-performance guidelines, at Artexte, Montreal
2016: Schallwirkungen auf Mensch und Tier, exhibition, at KEX, Vienna
2015: WORK, choreographic proposal, at Semper Depot, Academy of Fine Arts Vienna

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