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Ingrid Cogne

Ingrid Cogne (Mag., M.S., PhD.) is a French artist and researcher based in Vienna. She works as facilitator, dramaturge, and researcher across the fields of choreography, visual arts, sciences, and academia. Ingrid Cogne obtained a PhD with the research project Displacement(s) as Method(s)-developed in the contexts of the PhD in practice at the Academy of Fine Arts Vienna in cotutelle with the Centre d’Étude des Arts Contemporains at the University Lille 3.

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Cogne conceptualizes artworks in the form of articulated sculptures, expanded choreographies, artistic researches, and text-based objects—be it alone or in collaboration. She uses choreography as a way to create movement and suspension, circulation and time, positioning and displacement in relation to Economy, Knowledge, Work, and Individuals. Her work problematizes the dramaturgy of (existing or created) situations. With soft provocation for movement in representations and structures, Cogne likes to—slowly, progressively—shake and shift perceptions, projections, and perspectives. The Arts-based research projects initiated by Ingrid Cogne are: The dramaturgy of Conversation (2019-24, Elise Richter PEEK Stipendium) und Six Formats (2015-18, FWF, PEEK). Cogne is editor and co-author of the publications Dansbaren-The Mob without Flash (2016) and For and By Six Formats (2018).

Follow the link to the last solo-Ehxibition at our gallery:

Salon Real / Virtual #8 | Ingrid Cogne – Causer

  • Artworks
  • Videos
  • CV
Object of Communication, 2018
Prototype, 2021
Ref T series, 2021
Tout est dit, 2021
Connect, 2021
Es wurde für Cognes Ausstellung mit dem Titel CAUSER (2021) geschaffen und dort präsentiert.
À manipuler with care’, 2021
BEcause, 2021
What IF #1, 2022
Jeux de jambes, 2021
Rond de Jambes, 2021
The I Value, 2022
MA, 2021
TEST 1
Es wurde für Cognes Ausstellung mit dem Titel CAUSER (2021) geschaffen und dort präsentiert.

PRESENTIFICATING – 2/3 Video Tutorials of the Object of Communication (June 2018)

Education

2015: PhD in Practice, Institute for Art Theory and Cultural Studies, Academy of Fine Arts Vienna, Supervision: F. Thun-Hohenstein
2015: PhD, CEAC, Doctoral School Human and Social Sciences, University of Lille, Supervision: A. Boissière
2004: Master in Dance Anthropology, University Blaise Pascal, Clermont-Ferrand
2001: Mag. Sciences Techniques Physical Activities, Didactic and Pedagogy, University of Burgundy, Dijon

Exhibitions and performances (selection 2015-22)

2022: MATERIAL STORIES, group exhibition curated by Helen Carey, Galerie Michaela Stock, Vienna
2021: CAUSER, solo exhibition, Salon Real / Virtual, Galerie Michaela Stock, Vienna
2020: Rush Hour Knowledge?, lecture performance, at Fest En Fest
2020: Expanded Choreography Festival, Goldsmiths MFA Fine Arts Studios, London
2019: Pas le temps d’être triste, kinetic sculpture, with P. Leitner and V. Costes, at Memphis, Linz
2018: a 20 min paper (between article and lecture-performance): diagramming censorship(s) across research-in-writing, lectureperformance, at Intersections
2018: Royal Central, School of Speech & Drama, University of London
2018: How can an object re-articulate knowledge?, installation, at Situations, NYC
2017: Meeting an audience—Practical (dramaturgical?) knowledge at play, situation, Theatre Studies Research Centre, University of Lisbon
2017: Format LECTURE-PERFORMANCE – Lecture-performance guidelines, at Artexte, Montreal
2016: Schallwirkungen auf Mensch und Tier, exhibition, at Kunsthalle Exnergasse, Vienna
2015: WORK, choreographic proposal, at Semper Depot, Academy of Fine Arts Vienna

Arts-based research projects 

2019-2025: The dramaturgy of Conversation, Habilitation research, Academy of Fine Arts Vienna
2015-2018: Six Formats, Postdoctoral research, Academy of Fine Arts Vienna
2015-2016: Kunskap i Rörelse, Project leader, Dansbyrån, Gothenburg
2011-2015: Displacement(s) as Method(s), PhD. research, Academy of Fine Arts Vienna / University Charles-de-Gaulle-Lille 3

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