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Tadej Pogačar has exhibited widely, most recently at the Museum of modern and contemporary Art, Mali salon, Rijeka (2019); Gagosian, Beverly Hills, Los Angeles (2016), Museum of Contemporary Art Zagreb (2015), Moderna Galerija Ljubljana (retrospective, 2014); Espavisor Gallery, Valencia – with Mladen Stilinović (2014); Gallery for Contemporary Art in Leipzig (2012); the ZKM – Centre for Art and Media in Karlsruhe (2011–2012); Vojvodina Museum of Contemporary Art Novi Sad (2011), and the Museum of Contemporary Art Metelkova in Ljubljana (2011), as well as at biennials in Venice, Prague, Tirana, São Paulo, Tirana, São Paulo Architectural Bienial and at Manifesta 1 in Rotterdam. He has also had exhibitions at the MUMOK in Vienna (2009), the San Francisco Art Institute (2007), the NGBK in Berlin (2007), the Stedelijk Museum (2004), the Central House of Artists in Moscow, and the Museo de Arte Carillo Gil in Mexico City.

He has been recipient of the Franklin Furnace Grant in 2001, Shrinking Cities Grant in 2004 and Georg Kepes Fellowship at M.I.T. Boston in 2012.

He has published several artist books: Home Stories (1999), Tales of Two Cities (2000), CODE:RED (Onestar Press, Paris, 2004), Twenty Palm Trees of Santa Cruz de Tenerife (2009), Twenty-Eight Cakes (2009), P.A.R.A.S.I.T.E. Public Sculpture (2010), Various (Small) Pieces of Trash (2010), Tito times Thirty (naked) (2010), OHO Reunion (4 performances and some razor blades), Nine Tanks (and some blank pages) of Brasil (2017),
and Naša žena / Our Woman (2018).

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