
22.01.2022 - 27.03.2022
galerie michaela stock, Vienna
OPENING : Saturday, 22.01., 4 - 8 pm
silent opening
MIDI-VERNISSAGE: Saturday, 26.02., 4 - 10 pm
the artists are present
FIRESIDE CHAT: Saturday, 26.02., 6 - 7 pm
Helen Carey (Fire Station Artist´s Studios) in conversation with Evelyn Loschy and Laura Fitzgerald
Click HERE for the fireside chat video
WHERE : galerie michaela stock, Schleifmühlgasse 18, 1040 Vienna
Tickling a sensible space
The issue of identity is often a sensible space.
Identity is the way we perceive and express ourselves as individuals, as a society, or as a nation. Space whether, real, virtual or imagined, is crucial in constructing new enviroments for artistic communties, allowing them to explore and promote new values in society. Opening this space through the production of artworks, allows questions to be asked of stereotypes, conventions, gender issues, sexuality, race, nationality and heritage.
The exhibition titled "Tickling a sensible space" presents two young female artists. Evelyn Loschy from Austria and Laura Fitzgerald from Ireland. Both artists have different backgrounds, education and working conditions, but explore the same topic: identity and it's representation in socio-cultural spaces. This investigation, into the shifting ecology of identity, allows the artists to propose alternative questions to where our place is within contemporary culture.
Click HERE for the exhibition teaser
Exhibition view Salon Real
SALON REAL #12 | Evelyn Loschy & Laura Fitzgerald
SALON REAL / VIRTUAL 12# Salon: Evelyn Loschy & Laura Fitzgerald - Tickling a sensible space. Exhibition view Salon Real. Photo: Matthias Bildstein
SALON REAL / VIRTUAL 12# Salon: Evelyn Loschy & Laura Fitzgerald - Tickling a sensible space. Exhibition view Salon Real. Photo: Matthias Bildstein
SALON REAL / VIRTUAL 12# Salon: Evelyn Loschy & Laura Fitzgerald - Tickling a sensible space. Exhibition view Salon Real. Photo: Matthias Bildstein
SALON REAL / VIRTUAL 12# Salon: Evelyn Loschy & Laura Fitzgerald - Tickling a sensible space. Exhibition view Salon Real. Photo: Matthias Bildstein
SALON REAL / VIRTUAL 12# Salon: Evelyn Loschy & Laura Fitzgerald - Tickling a sensible space. Exhibition view Salon Real. Photo: Matthias Bildstein
SALON REAL / VIRTUAL 12# Salon: Evelyn Loschy & Laura Fitzgerald - Tickling a sensible space. Exhibition view Salon Real. Photo: Matthias Bildstein
SALON REAL / VIRTUAL 12# Salon: Evelyn Loschy & Laura Fitzgerald - Tickling a sensible space. Exhibition view Salon Real. Photo: Matthias Bildstein
Exhibition view Salon Virtual
SALON VIRTUAL #12 | Evelyn Loschy & Laura FItzgerald
SALON REAL / VIRTUAL 12# Salon: Evelyn Loschy & Laura Fitzgerald - Tickling a sensible space. Exhibition view Salon Virtual
SALON REAL / VIRTUAL 12# Salon: Evelyn Loschy & Laura Fitzgerald - Tickling a sensible space. Exhibition view Salon Virtual
SALON REAL / VIRTUAL 12# Salon: Evelyn Loschy & Laura Fitzgerald - Tickling a sensible space. Exhibition view Salon Virtual
SALON REAL / VIRTUAL 12# Salon: Evelyn Loschy & Laura Fitzgerald - Tickling a sensible space. Exhibition view Salon Virtual
SALON REAL / VIRTUAL 12# Salon: Evelyn Loschy & Laura Fitzgerald - Tickling a sensible space. Exhibition view Salon Virtual
SALON REAL / VIRTUAL 12# Salon: Evelyn Loschy & Laura Fitzgerald - Tickling a sensible space. Exhibition view Salon Virtual
SALON REAL / VIRTUAL 12# Salon: Evelyn Loschy & Laura Fitzgerald - Tickling a sensible space. Exhibition view Salon Virtual
Laura Fitzgerald searches for her identity through the family farm in County Kerry, Ireland. Highlighting comparisons between rural identities and the work of an artist. She probes in a satirical way, the difficult task of being an artist through drawings, videos and virtual sound installation.
Evelyn Loschy prompts the viewer to question at what point the self becomes other. New works such as a kinetic sculpture and a performance / video deal with identity and thematically intersect to sharpen one's view of the complex processes of the human being . They appear to lose their original form and confront the visitor with the view on behaviour of human beings and the visualisation of the innerself.
Evelyn introduces her newer works > HERE
ALL ARTWORKS
Evelyn Loschy, UNTITLED (kinetic sculpture #5), 2022
PVC foil, iron, wood, fan, motor, transformer, microcontroller, 182 x 224 x 164 cm / Video > HERE
EL | UNTITLED (kinetic sculpture #5)
Evelyn Loschy, exhibition poster SALON REAL / VIRTUAL, UNTITLED (kinetic sculpture #5), 2022
Evelyn Loschy, UNTITLED (kinetic sculpture #5), 2022, PVC foil, iron, wood, fan, motor, transformer, microcontroller, 182 x 224 x 164 cm, edition: 1+ AP
Evelyn Loschy, UNTITLED (kinetic sculpture #5), 2022, photography, edition: 5 + 2 AP
Two inflated heads respirating each other.
Evelyn Loschy, UNTITLED (kinetic sculpture #5), 2022, PVC foil, iron, wood, fan, motor, transformer, microcontroller, 182 x 224 x 164 cm, edition: 1+ AP
Evelyn Loschy, UNTITLED (kinetic sculpture #5), 2022, PVC foil, iron, wood, fan, motor, transformer, microcontroller, 182 x 224 x 164 cm, edition: 1+ AP
Evelyn Loschy, UNTITLED (kinetic sculpture #5), 2022, PVC foil, iron, wood, fan, motor, transformer, microcontroller, 182 x 224 x 164 cm, edition: 1+ AP
Evelyn Loschy, UNTITLED (kinetic sculpture #5), 2022, PVC foil, iron, wood, fan, motor, transformer, microcontroller, 182 x 224 x 164 cm, edition: 1+ AP
Evelyn Loschy, UNTITLED (kinetic sculpture #5), 2022, PVC foil, iron, wood, fan, motor, transformer, microcontroller, 182 x 224 x 164 cm, edition: 1+ AP
Evelyn Loschy, UNTITLED (kinetic sculpture #5), 2022, PVC foil, iron, wood, fan, motor, transformer, microcontroller, 182 x 224 x 164 cm, edition: 1+ AP
Two inflated heads respirating each other.
Evelyn Loschy, FRICTION, 2021
performance, video, 8 min., loop, HD, colour, sound
EL | FRICTION
Evelyn Loschy, FRICTION, 2021, performance, video, 8 min., loop, HD, colour, sound / USB and unique performance masks (mask 1: 23 x 15,5 x 12 cm / mask 2: 21 x 14 x 12 cm) pro performance / unique masks
Evelyn Loschy, FRICTION, 2021, photography (Matt Plus 240), performance, 30 x 45 cm, framed, edition: 5 + AP
Evelyn Loschy, FRICTION (1), 2021, photography (Matt Plus 240), performance, serie of 6 images / videostill, each 18 x 32 cm, framed, edition: 10 + 2 AP
http://www.galerie-stock.net/images/ausstellungen/bilder/2022/EL_LF_Salon/Loschy/1_maske.450px_1.jpg
Evelyn Loschy, FRICTION (2), 2021, photography (Matt Plus 240), performance, serie of 6 images / videostill, each 18 x 32 cm, framed, edition: 10 + 2 AP
Evelyn Loschy, FRICTION (3), 2021, photography (Matt Plus 240), performance, serie of 6 images / videostill, each 18 x 32 cm, framed, edition: 10 + 2 AP
Evelyn Loschy, FRICTION (4), 2021, photography (Matt Plus 240), performance, serie of 6 images / videostill, each 18 x 32 cm, framed, edition: 10 + 2 AP
Evelyn Loschy, FRICTION (5), 2021, photography (Matt Plus 240), performance, serie of 6 images / videostill, each 18 x 32 cm, framed, edition: 10 + 2 AP
http://www.galerie-stock.net/images/ausstellungen/bilder/2022/EL_LF_Salon/Loschy/5_maske.450px65.jpg
Evelyn Loschy, FRICTION (6), 2021, photography (Matt Plus 240), performance, serie of 6 images / videostill, each 18 x 32 cm, framed, edition: 10 + 2 AP
http://www.galerie-stock.net/images/ausstellungen/bilder/2022/EL_LF_Salon/Loschy/6_450px_85.jpg
Laura Fitzgerald
LF | Tickling a sensible space
Laura Fitzgerald, exhibition poster SALON REAL / VIRTUAL, edition: 50
Laura Fitzgerald, A great weight starts to lift, 2019, oilpainting on board oil, household and blackboard paint marker on board, 122 x 99 cm.
http://www.galerie-stock.net/images/ausstellungen/bilder/2022/EL_LF_Salon/16.-LF_Headcase_450px.jpg
Laura Fitzgerald, News from back the road, 2021, drawing on paper / framed Tesco sharpies on IKEA Male roll bought from Amazon because IKEA wouldn’t deliver to Kerry, 2 fancy copic markers from Evan’s Art Supplies (web order), 53 x 212 cm.
Laura Fitzgerald, News from over the Road, 2021, drawing on paper / framed Tesco sharpies on IKEA Male roll bought from Amazon because IKEA wouldn’t deliver to Kerry 2 fancy copic markers from Evan’s Art Supplies (web order), 53 x 208 cm.
Laura Fitzgerald, A Mountain for Venice, 2021, drawing on paper sharpies bought from Tesco’s & Schoolbooks.ie, four fancy copic markers from Evan’s Art Supplies (web order) on John Purcell paper kept in customs from January to March and time, oh sweet pre
http://www.galerie-stock.net/images/ausstellungen/bilder/2022/EL_LF_Salon/megaBild_450px.jpg
Laura Fitzgerald, Petrol Blues 2020, painting/drawing on paper, artist crayon on out of stock paper from Evans, 50 x 70 cm.
http://www.galerie-stock.net/images/ausstellungen/bilder/2022/EL_LF_Salon/13.-LF_Headcase_450px.jpg
Laura Fitzgerald, Unsustainable Mandala, 2020, drawing on paper pen and sharpie on archival paper, 21 x 29.7 cm.
http://www.galerie-stock.net/images/ausstellungen/bilder/2022/EL_LF_Salon/Mandala-drawing_450px.jpg
Laura Fitzgerald, Potential site of a disaster (or something good), 2019, oil, household and blackboard paint; marker on board, 122 x 99 cm
http://www.galerie-stock.net/images/ausstellungen/bilder/2022/EL_LF_Salon/02.LF_Headcase_450px.jpg
Laura Fitzgerald, Too Big Series, (Entrance to a fancy field), 2020, drawing on paper / framed, Sharpie markers on offer in Eason's on Katie Watchorn paper, 37 x 49 cm.
Laura Fitzgerald, Too Big Series, (View of a bit of a fancy field), 2020, drawing on paper / framed, Sharpie markers on offer in Eason's on Katie Watchorn paper, 37 x 49 cm.
Laura Fitzgerald, Beehive huts to hide in (after), 2020, drawing on paper / framed, pen & shite marker on Alan Phelan fancy archival paper, inside fancy frames by David Kirwin, 28 x 33 cm.
http://www.galerie-stock.net/images/ausstellungen/bilder/2022/EL_LF_Salon/15.LF_Headcase_450px.jpg
Laura Fitzgerald, Small holder, 2021, drawing on paper / framed, pen and sharpies from Tescos on Alan Phelan Archival Paper, 25 x 32 cm
Initial content
Laura Fitzgerald, Silent stack, 2021 drawing on paper / framed, pen and sharpies from Tescos on Alan Phelan Archival Paper, 25 x 32 cm.
Laura Fitzgerald, Soft hands, 2021, drawing on paper / framed, pen and sharpies from Tescos on Alan Phelan Archival Paper, 25 x 32 cm
Laura Fitzgerald, Hiding Places for Hot Monks, 2020, sound-installation with 3 huts bended and welded steel, audio meditation soundtrack read by Laura's Mom, fabric with Anne Mullee sewing, each huts: ca. 150 x 90 x 140 cm, photo: Lee Welch
Initial content
Laura Fitzgerald, Beehive hut to hide in, 2020, drawing on paper / framed, pen & shite marker on Alan Phelan fancy archival paper, inside fancy frames by David Kirwin, 28 x 33 cm.
http://www.galerie-stock.net/images/ausstellungen/bilder/2022/EL_LF_Salon/17.-LF_Headcase_450px.jpg
Laura Fitzgerald, Too Big Series, (Awkward hayshed), 2020 drawing on paper / framed, Sharpie markers on offer in Eason's on Katie Watchorn paper, 37 x 49 cm.
Laura Fitzgerald
Laura Fitzgerald
Laura Fitzgerald
Laura Fitzgerald
Laura FItzgerald, Searching for Robin, 2021, 4K Video colour with sound on USB, framed video still, duration: 00:19:06.
PRESS INFORMATION
We would appreciate a report/mentioning in your medium.
I hereby confirm the approval for the free of charge publication of all sent images / text.
Courtesy: particular artist / galerie michaela stock
PRESS IMAGES
1_Image: Laura Fitzgerald, A great weight starts to lift, 2019, oil, household and blackboard paint; marker on board, 122 x 99 cm
2_Image: Laura Fitzgerald, News from back the road, 2021, Tesco sharpies on IKEA Male roll bought from Amazon because IKEA wouldn't deliver to Kerry, 2 fancy copic markers from Evan's Art Supplies (web order), 53 x 212 cm
3_Image: Evelyn Loschy, FRICTION, 2021, performance, video, 8 min., loop, HD, colour, sound
4_Image: Evelyn Loschy, UNTITLED (kinetic sculpture #5), 2022, PVC foil, iron, wood, fan, motor, transformer, microcontroller, 182 x 224 x 164 cm
For further information please contact
Michaela Stock or Alisa Wolf
info@galerie-stock.net
phone +43 1 9207778 or mobile +43 699 19207778