
LILO NEIN < Linguistic Truths > VLADO MARTEK
15.11.2019 - 8.1.2020
OPENING: THURSADY, 14.11.2019, 6PM
galerie michaela stock, Schleifmühlgasse 18, 1040 Vienna
In context of the Vienna Art Week 2019
Artist talk with Lilo Nein in her exhibition: 22.11., 18H
Within the framework of Vienna Art Week, galerie michaela stock is showing two artists, each with a solo exhibition and both relying on language as the central medium of their artistic expression. The Austrian artist Lilo Nein and the Croatian artist Vlado Martek both deal with the transformation and dialogue between language, performance and poetry – words, word fragments and texts are part of their images, objects and collages.
In the exhibition LILO NEIN < Linguistic Truths > VLADO MARTEK, two conceptual artists, coming from different generations and backgrounds, are confronted with similar creative articulation, and differentiated conceptual and aesthetic approaches based on their common "language". The aim of the exhibition is to show the multifaceted and differentiated use of language and writing as artistic material.
Vlado Martek was born in Zagreb in 1951 and has been shaping the artistic scene in Croatia since the 1970s. His oeuvre moves fluently between experimental poetry, performance and visual art. In his works he deals with the visualization of the written word, he negates and constructs the words to visualize reality between the lines. He describes the resulting reduction and concentration of poetry as "pre-poetry". Martek works with a wide range of media and materials to critically, humorously and analytically question and present social structures.
Lilo Nein was born in Vienna in 1980, studied Fine Arts in Vienna and at PhDArts Leiden University. Lilo Nein lives and works in Vienna and in her artistic practice reflects on relations of texts and performances by initiating multi-media translation processes. Nein's practice operates in the empty spaces produced by and through writing and is concerned with its artistic qualities and general characteristics. Nein produces works which can be looked at, spoken, sung or interpreted by music.
Lilo Nein_Children's Voices
Lilo Nein, Children's voices, "Scar Sentences - Reading children`s thoughts", exhibition view "LILO NEIN - Sprachliche Wahrheiten - VLADO MARTEK", galerie michaela stock, 2019
Lilo Nein, Children's voices, "Scar Sentences - Reading children`s thoughts", exhibition view "LILO NEIN - Sprachliche Wahrheiten - VLADO MARTEK", galerie michaela stock, 2019
Lilo Nein, Children's voices, "Scar Sentences - Reading children`s thoughts", exhibition view "LILO NEIN - Sprachliche Wahrheiten - VLADO MARTEK", galerie michaela stock, 2019
Lilo Nein, Children's voices, "Scar Sentences - Reading children`s thoughts", exhibition view "LILO NEIN - Sprachliche Wahrheiten - VLADO MARTEK", galerie michaela stock, 2019
Lilo Nein, Children's voices, Scar Sentences (2), 2019, unique, analog photography, Foma Speed, consists of 19 pieces, each 24,7 x 18,8 x 160 cm, installation variable
Lilo Nein, Children's voices, Scar Sentences (6), 2019, unique, analog photography, Foma Speed, consists of 19 pieces, each 24,7 x 18,8 x 160 cm, installation variable
Lilo Nein, Children's voices, Scar Sentences (14), 2019, unique, analog photography, Foma Speed, consists of 19 pieces, each 24,7 x 18,8 x 160 cm, installation variable
Lilo Nein, Children's voices, Scar Sentences (17), 2019, unique, analog photography, Foma Speed, consists of 19 pieces, each 24,7 x 18,8 x 160 cm, installation variable
Lilo Nein, Children's voices, Scar Sentences (19), 2019, unique, analog photography, Foma Speed, consists of 19 pieces, each 24,7 x 18,8 x 160 cm, installation variable
The first room of the gallery shows the exhibition "Children's Voices, Scar Sentences - Reading children's thoughts" by Lilo Nein. The artist deals with the world of children's thoughts. 19 children's voices are shown as analogue photographs in object frames, balancing on delicate, long wooden legs. The childlike world of thought depicted by Lilo Nein forms a trans-subjective platform in which children exchange their perceptions of the adult world. They encounter the commandments, prohibitions and idioms that come to their ears with their own logic, which is expressed in the form of collective voices. Thereby children are often no less analytical than adults.
Vlado Martek_ Truth and Language
Vlado Martek, "Truth and Language", exhibition view, galerie michaela stock, 2019
Vlado Martek, "Truth and Language", exhibition view, galerie michaela stock, 2019
Vlado Martek, "Truth and Language", exhibition view, galerie michaela stock, 2019
Vlado Martek, "Truth and Language", exhibition view, galerie michaela stock, 2019
Vlado Martek, "Truth and Language", exhibition view, galerie michaela stock, 2019
Vlado Martek, Hegel bi me volio / Hegel would love me, 1992/2019, assemblage, mixed media, 50 x 70 cm
Vlado Martek, Wittgenstein bi me volio / Wittgenstein would love me, 2019, assemblage, mixed media, 50 x 70 cm
Vlado Martek, Na svaku stvar koju kupite ili imate napisite njeno ime / On every item you buy or have, write its name, 1979/2019, assemblage, mixed media, 50 x 70 cm
Vlado Martek, Istinica / the small truth, 1971 / 2019, assemblage, mixed media, 50 x 70 cm
Vlado Martek, Vittoria piu grande e la vittoria della poesia, 1993/2019 Collage, mixed media, 50 x 70 cm
Vlado Martek, Sramim se sto jos moram pisati pjesme / I am ashamed that I still have to write poetry, 1992 / 2019, collage, mixed media, 50 x 70 cm
Vlado Martek, Extra linguam, 1993/2019, assemblage, mixed media, 50 x 70 cm
Vlado Martek, Gledam istinu / I look at the truth, 2007/2019, assemblage, mixed media, 50 x 70 cm
Vlado Martek, Podloga / Background, 2017/2019, assemblage, mixed media, 50 x 70 cm
Vlado Martek, Non serviam, 2010/2019, assemblage, mixed media, 50 x 70 cm
In the second exhibition room, new works by Vlado Martek are exhibited. This show is titled "Truth and Language" and reflects the spirit of his old works and actions from the 1980s. In his actions, Martek gives naked nude body parts and things from his surroundings their tautological names. At the same time, the aspect of the background from which language originates and the transferred into artistic silence is emphasized. This can be seen in the collages and assemblages: "Podloga / background" and "vittoria più grande è la vittoria della poesia" and "non serviam". The process of adamization / naming continues in his other artworks. According to Vlado Martek, he uses not only the image, but also the language in his works, to visualize our reality on one hand and to question, criticize, and demonstrate the massive exploitation of language by politics and economy on the other.
Cooperation Vienna Art Week
Lilo Nein / supported by
PRESS
press release: LILO NEIN < Linguistic Truths > VLADO MARTEK
press image 1:
Lilo Nein, Children's voices, Scar Sentences, 2019 / detail, analog photography, Foma Speed, consists of 19 objects, unique, each 24,7 x 18,8 x 160 cm, Installation size variable
press image 3:
Vlado Martek, Vittoria piu grande e la vittoria della poesia, 1993/2019, Collage, mixed media, 50 x 70 cm
press image 4
Vlado Martek, Non serviam, 2010/2019, Assemblage, mixed media, 50 x 70 cm