
10.9.2017
Opening: Saturday, 9.9., 6 pm
Bad Word Disco & performance: Thursday, 14.9., 6 pm
10.9. - 7.10.2017
Affectionate Terms of Abuse
Bernadette Anzengruber, Patrick Baumüller, Ivica Capan, Vlasta Delimar, frustracиja., Tomislav Gotovac, Vlado Martek, Veronika Merklein, Lilo Nein, Peter Riss, Alexander Viscio
Archive in Words – Limited Artist Books
Sandro Dukic, Gregor Eldarb, Tomislav Gotovac, Julije Knifer, Dimitrije Bašičević MANGELOS, Maj 75, Vlado Martek, Jonathan Monk, Giovanni Morbin, Lilo Nein, Sabine Ott, Harold Pinter / Gorgona, Josip Stošić, Goran Trbuljak, Lawrence Weiner
Thursday, 14.9., 6pm: Bad Word Disco & participative performances with
frustracиja Installation and performance (Mis)Fortune > more information HERE
Patrick Baumüller Speakers's Corner > more information HERE
Let's talk about Fuck. Shit. Asshole. Arschloch. Sau. Kurac. Möse. Dick. Fat.
Swearing is the most intriguing of the magical uses of language. Virtually every culture has their unique set of swearwords. Whatever is taboo in a culture, whether faeces, sexuality, incest, death or animal names become a source of foul language.
The exhibition Affectionate Terms of Abuse deals with this topic. Artists that were invited to participate, frequently or seldomly incorporate text and words in their art. The word becomes an independent visual medium and functions as communicative interface between the written word and its artistic design. The show explores the limits of bad language. The words serve not only as a tool, but also as a toy: playing in and with the language. The exhibition is focused on the presentation of artworks from the realms of performance, painting, graphics, photography, collage, sculpture and installation.
Liebevolle Schimpfwörter
exhibition view, Affectionate Terms of Abuse, galerie michaela stock, 10.9. - 7.10.2017
exhibition view, Affectionate Terms of Abuse, galerie michaela stock, 10.9. - 7.10.2017
exhibition view, Affectionate Terms of Abuse, galerie michaela stock, 10.9. - 7.10.2017
exhibition view, Affectionate Terms of Abuse, galerie michaela stock, 10.9. - 7.10.2017
exhibition view, Affectionate Terms of Abuse, galerie michaela stock, 10.9. - 7.10.2017
exhibition view, Affectionate Terms of Abuse, galerie michaela stock, 10.9. - 7.10.2017
exhibition view, Affectionate Terms of Abuse, galerie michaela stock, 10.9. - 7.10.2017
exhibition view, Affectionate Terms of Abuse, galerie michaela stock, 10.9. - 7.10.2017
exhibition view, Affectionate Terms of Abuse, galerie michaela stock, 10.9. - 7.10.2017
exhibition view, Affectionate Terms of Abuse, galerie michaela stock, 10.9. - 7.10.2017
exhibition view, Affectionate Terms of Abuse, galerie michaela stock, 10.9. - 7.10.2017
exhibition view, Affectionate Terms of Abuse, galerie michaela stock, 10.9. - 7.10.2017
exhibition view, Affectionate Terms of Abuse, galerie michaela stock, 10.9. - 7.10.2017
exhibition view, Affectionate Terms of Abuse, galerie michaela stock, 10.9. - 7.10.2017
Patrick Baumüller, Zwist and Shout, 2017, moving object with interactive twist and lever mechanisms, wood, metal, paint, 65 x 45 x 13 cm
http://www.galerie-stock.net/images/ausstellungen/bilder/2017/BadWords/baumuller_450px.jpg
Veronika Merklein, Fat Balloon, Installation, Photography, Edition: 3 + AP, 32 x 30 cm
Lilo Nein, Schimpfwort I ( SchweinHundEselOschs....AffenSau), 2017, Fineliner on 100g of paper, Edition: 100, 2,5 x 29,7 cm
Tomislav Gotovac, Jebe mi se / I don`t give a fuck, 1978, signed silkscreen on paper, 3/50, framed, 71 x 100 cm
http://www.galerie-stock.net/images/ausstellungen/bilder/2017/BadWords/TomGotovac_JebeMiSe_450px.jpg
Tomislav Gotovac, Pun mi je kurac / I´ve fucking had it, 1978, Original, print on aluminium, signed, framed, 55 x 74 cm
Ivica Capan, möse, 2000, oil on canvas 35 x 45 cm
Vlado Martek, Poeziju treba jebati I / poetry should be fucked I, 1983 silkprint, stamp, 15 x 22 cm
http://www.galerie-stock.net/images/ausstellungen/bilder/2017/BadWords/martek_hinten450.jpg
Vlado Martek, Poeziju treba jebati I / poetry should be fucked I, 1983 silkprint, stamp, 15 x 22 cm
http://www.galerie-stock.net/images/ausstellungen/bilder/2017/BadWords/martek_front450.jpg
Alexander Viscio, Scumbag, 2008, Sculpture, laminated birchwood, 40 x 100 x 20 cm
Alexander Viscio, Asshole, 2008, Sculpture, laminated birchwood, 30 x 100 x 20 cm
Vlasta Delimar, Kurac Volim / Dick I love, 1980 Collage, 49 x 40 cm
Vlasta Delimar, Volim Kurac / I love cock, 2017, (Original:Maj ´75, Nummer H), limited artist book: Vlasta Delimar: Put your Faith in Women, 2017, edition: 26, BIPA / B.STYLED legware, stockings, 15 DEN
Vlado Martek, Poeziju treba jebati II, poetry should be fucked II, 1985 / 2015 mixed media, 50,7 x 51,2 cm
http://www.galerie-stock.net/images/ausstellungen/bilder/2017/BadWords/Martek_-landkarte450.jpg
Bernadette Anzengruber, DICK, 2013, from the series DICK, leather jacket, performance object, 63 x 76 cm
http://www.galerie-stock.net/images/ausstellungen/bilder/2017/BadWords/bernadete_dick_450px.jpg
Alexander Viscio, Fuck, 2008 Sketch, pencil, marker on paper, 21 x 19 cm
http://www.galerie-stock.net/images/ausstellungen/bilder/2017/BadWords/AlexViscio_fuck450px.jpg
Peter Riss, Der Depp, 2017, mixed media, Collage, 55 x 45 cm
http://www.galerie-stock.net/images/ausstellungen/bilder/2017/BadWords/peter_riss450.jpg
Sandro Đukić, 005_018_VANISHING BOOK_2001, 2001, book of photographs from the collection arch_0001_005_1999/2000, 42 x 30 x 8 cm
http://www.galerie-stock.net/images/ausstellungen/bilder/2017/BadWords/sandro_buch450.jpg
L. Weiner, TIT AS TAT, 2013, 48 pages,12 signatures, Hammered 225g/mq paper: Zerkall, 5 color letterpress printing: Atelier Auger, Paris, Cover paper: Canson Mi-Teintes in three different colors Aurore (light pink), Azur (light blue) and Citronelle
http://www.galerie-stock.net/images/ausstellungen/bilder/2017/BadWords/weiner_titasta450t.jpg
Tomislav Gotovac, Pun mi je kurac / I`ve fucking had it, 1978 artist's book: soft cover + ca 100 pages (offset print on paper), edition of 10 copies, 21 x 29,5 cm
Tomislav Gotovac, DONT`T DO IT!, 1980, artist's book, hard cover + 259 pages (newspaper cuts), Unique, 43,7 x 30,8 cm, signed
http://www.galerie-stock.net/images/ausstellungen/bilder/2017/BadWords/_ILD0034-Kopie450.jpg
Dimitrije Bašičević Mangelos, Energija, No.9,1979, 30 pages, edition: 200, Siebdruck, Artist book, published for the exhibition in Galeriji Dubrava, 1979, exhibition: Vlado Perovic, 12 x 17 cm
http://www.galerie-stock.net/images/ausstellungen/bilder/2017/BadWords/mangelos_energija_9_450.jpg
Dimitrije Bašičević Mangelos, A (Edition a) No.6, 1964 publisher: Ivan Pivelj, Zagreb
http://www.galerie-stock.net/images/ausstellungen/bilder/2017/BadWords/mangelos_a_6_450.jpg
Josip Stošić, Draft for five of my songs and one of your songs Artist book, 1976
Nacrt za pet mojih i jednu vašu pjesmu (konceptualna pjesma otisnuta na bjelinama Mallarméove poeme Bacanje kocki) / Draft for five of my songs and one of your songs (conceptual song printed on White Mallarmé's Poem Drop Cube), 52 pages, Klammerbindung, Druckerei: Mihajlo Arsovski, Herausgeber: Studentski Centar Sveucilista u Zagrebu, Josip Stosic, Zagreb, 23 x 21,2 cm
http://www.galerie-stock.net/images/ausstellungen/bilder/2017/BadWords/stosic_2_450.jpg
Gregor Eldarb, Several Models Put Together, 2014
limited artist book, with contributions by: František Kowolowski & Georg Schollhammer, Text in German and English, 160 p, Triton 2014, edition: T / III AP
http://www.galerie-stock.net/images/ausstellungen/bilder/2017/BadWords/edelarb_buch450.jpg
According to Marten-Cleef, the definition of a swearword is "a non-individual, emotionally aggressive speech" . In his book, Geoffrey Hughes says that: "Swearing draws upon such powerful and incongruous resonators as religion, sex, madness, excretion and nationality encompassing an extraordinary variety of attitudes including the violent, the shocking, the absurd, the casual, and the impossible."
We all know what "bad words" are. Even though they are socially unacceptable, instead of avoiding them, we easily and happily use them. The content of vulgarism has drastically shifted over the past few decades; Taboos are changing, and so does the profanity.
Taboo words are more than just words, it is actually paradoxical, but no word in itself is offensive and always depends on its use in a particular context. Since Erdmann's publication "The Importance of the Word" in 1925, the "secondary meaning" of the word has become an important topic in linguistics. It distinguishes the meaning of the word into conceptual content (the main meaning) and the secondary sense and the feeling (the secondary meaning). Oksana Havryliv has stated in her study that verbal aggressions can be done openly, but also in hidden form, in the mind of the speaker or in the absence of the addressee.
'Bad language' is entirely based on the context in which particular words are used in a situation.
It is interesting to see that, in the modern society „expletives words" became conventionalized. One and the same word can appear in several variations: once for its main meaning, but also for its numerous secondary meanings, a rude or insulting attack, but also as a humorous mockery or as a nick name.
For example Gotovac, Delimar, Anzengruber, Merklein, frustracиja. or Capan use words such as KURAC, DICK, FAT, MÖSE or SAUTROTTEL to indirectly criticize the political system, forms of economy, social grievances, the art world and consumerist society.
A poetic connection in terms of image- and word-language can be seen in the works of Nein and Martek. However, Baumüller manages to consciously foil this level and presents a (primitive) dispute on an interactive and repetitive platform. How to play with words in visually perceptible object configurations is a recurrent theme in Alexander Viscio's conceptual artistic work.
The swear words become a picture, an object, a sculpture or an abstract figure and
try to transfer the supposed distorted picture into an artistic manifestation. „Bad" words shouldn´t be treated as bad at all, because in their core they are not; but simply as another tool available to us within the art of language. It is intended to inform and stimulate thought and discussion.
The second room of the gallery is structured as a small library. The declared goal is to show unique artist books, rare editions or multiples, which deal with words in a playful way. In poems, typo grams, novels, visual texts and sculptural objects different methods and divergent approaches are presented by Weiner, Gotovac, Stošić, Morbin or Mangelos and Harold Pinter/Gorgona.
Part of the open library will feature books on the subject of "vulgar language" and "words". Visitors are invited to take the books from the shelves and read them on the spot.
We cordially invite you to break the taboos of the „foul" language and to rethink the meaning of the offensive words that became a part of our everydayness.
with the friendly support: Triton, myMorawa and collection of Dr. Heidi Fazekas.
Press release: Affectionate Terms Of Abuse | Group Exhibiton
Press photo 1: Tomislav Gotovac, Pun mi je kurac / I h`ve fucking had it, 1978, Original, print on aluminium, signed, framed, 55 x 74 cm
Press photo 2: Alexander Viscio, Asshole, 2008, sculpture, laminated birch wood, 30 x 100 x 20 cm
Press photo 3: Ivica Capan, möse, 2010, oil on canvas, 35 x 45 cm
Press photo 4: Lilo Nein, Schimpfwort, 2017, Fineliner on 100g of paper, edition: 100, 2,5 x 29,7 cm