29.6.
AS FAR AS I CAN GO | radical movements
group exhibition
29.6. - 2.9.2107
WHEN: opening: Thursday, 29. June, 4 pm
WHERE: galerie michaela stock, Schleifmühlgasse 18, 1040 Vienna
Vlasta Delimar, Gentle Women Group, Siniša Labrović, Marko Marković, Giovanni Morbin, Lala Nomada, Selma Selman, Slaven Tolj, Alexander Viscio
DRINKS & COOKING by Barbatti fine food | 29.6. bis 3.7.2017 | 12 - 23h
The art project consists of three parts, a workshop, the performance festival DOPUST / Days of open performance VIENNA 2017 and a thematically matching exhibition focusing on performance.
Performance art keeps making radical claims. It questions the moral boundaries of society and tries to break taboos. The body is very often an important element in this; it becomes an object and is used to work on like a sculpture or canvas. Such performative works do not aim at changing society, but rather at presenting and revealing it. Both the symbolic and the real struggles of the respective artists reach their limits here.
AS FAR AS I CAN GO
AS FAR AS I CAN GO, exhibition view, 2017
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AS FAR AS I CAN GO , exhibition view, 2017
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AS FAR AS I CAN GO, exhibition view, 2017
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AS FAR AS I CAN GO , exhibition view, 2017
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AS FAR AS I CAN GO, exhibition view, 2017
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AS FAR As I CAN GO, exhibition view, 2017
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AS FAR AS I CAN GO, exhibition view, 2017
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AS FAR AS I CAN GO, exhibition view, 2017
http://www.galerie-stock.net/images/ausstellungen/bilder/2017/AsFarAsICanGo/TOP_10_450px.jpg
Alexander Viscio, Predator, 1982, B/W photography, performance, edition: 3 + 2 AP, 40 x 40 cm
Alexander Viscio, Morning Rush, 1982, performance, video still of Predator, edition: 3 + 2AP, 12 x 17cm
Alexander Viscio, Morals and Dogma, 1980 Videostill, photography, 17 x 10,5 cm, edition: 3 + 2AP
http://www.galerie-stock.net/images/ausstellungen/bilder/2017/AsFarAsICanGo/Viscio_1980_450px.jpg
Slaven Tolj, Nature & Society, 2002 2 b&w photographs, baryt paper, 45 x 65 cm, E: 3+2AP photo: Marko Ercegović
Slaven Tolj, Nature & Society, 2002 2 b&w photographs, baryt paper, 45 x 65 cm, E: 3+2AP photo: Marko Ercegović
Giovanni Morbin, Weight a moment, 2016, Video, Dopust Vienna 2016, Next Door galerie michaela stock, duration: 12 min, edition: 3 + 2AP
Lala Nomada, 2013, Video, The Milk Series Performance, International Festival "Extra", Mexico City. Sept. 2013. Duration: 15 min., video documentation by N. Yhared, edition: 3 + 2AP
http://www.galerie-stock.net/images/ausstellungen/bilder/2017/AsFarAsICanGo/lala2_450px.jpg
Slaven Tolj, Globalisation, 2001, Video, Performance: Body and the East festival, Exit Art Gallery, New York, video documentation, color, sound, 14,08 min, edition 4 + 2AP, photo: Stjepo Kaleb
Marko Marković, Selfeater/the hunger, 2009, photography, Lambda print, Performance Zagreb, 70 x 53 cm edition: 5 + 2AP
Marko Marković, Selfeater/the thurst, 2009, photography, Lambda print, Performance Zagreb 2008, 100 x 70 cm, edition: 5 + 2AP
Giovanni Morbin, Weigh a moment, 2016, collage, photography/vintage, 24 x 18 cm
Giovanni Morbin, Weigh a moment, 2016 collage, photography/vintage, 18 x 24 cm
http://www.galerie-stock.net/images/ausstellungen/bilder/2017/AsFarAsICanGo/giovanni_2_450px.jpg
Giovanni Morbin, Weigh a moment, 2016, collage, photography/vintage, 21 x 25 cm
http://www.galerie-stock.net/images/ausstellungen/bilder/2017/AsFarAsICanGo/giovanni_1_450px.jpg
Lala Nomada, Performance of "The Milk Series: In Situ IV", 2011, photography, Grimmuseum, Berlin. August, duration: 90 minutes, Photo: Matthias Pick, 43 x 29 cm, edition: 5 +AP
Sinisa Labrovic, marching, 2015 photography, Dopust Vienna 2015, Schwarzenbergplatz, 22.5.2015, 20 x 14 cm, edition: 3 + 2AP
Vlasta Delimar, The Right to orgasm in the 60s, 2016, video, performance, Dopust Vienna 2016, Schleifmühlgasse, Floh Vintage, duration: 65 min, editipon: 3 + 2AP
Vlasta Delimar, Mature Woman,1997,Performance, 1997, Galerija Račić, Zagreb, photography, performance 30 x 20 cm, edition: 5 + AP
Selma Selman, COMPOSITION: BORI, NEVJESTA, BRIDE, 2016 Video still, duration: 50 minutes, Dreamland gallery, Buffalo, New York, Video stills by Pierce McCleary, 37 x 29 cm, edition: 3 + AP
Selma Selman, Self - portrait”, 2016 Videostill, photography, performance, video documentation, 10,18 min, Rijeka, Croatia, photo: by Tanja Kanazi, 16 x 21 cm, edition: 3+2AP
Selma Selman, Haram, 2017, video, installation, 13 min, 2017, Camera: Laura Iancu, edition: 5 +AP
http://www.galerie-stock.net/images/ausstellungen/bilder/2017/AsFarAsICanGo/selma_haram2_450px.jpg
Gentle Women Group, Stone, 2016/17 Video, performance, 13,11 min, edition: 3 + AP
http://www.galerie-stock.net/images/ausstellungen/bilder/2017/AsFarAsICanGo/Press-foto-3.jpg
AS FAR AS I CAN GO – radical movement has dedicated itself to exploring these phenomena in depth and comprises performative works of international artists of all ages from different cultural backgrounds.
Divergent positions and borderline situations such as the material, social, disciplined, traumatized and/or sexual body take center stage through artistic expressions like photography, installation, video and live performance. The ethics of catharsis, the aggression repressed by civilization, is brought back to our consciousness and the borderline experiences of the producers themselves navigate those of the recipients. The thin line between personal experience and social situation are thematized in all exhibits and performances. The boundaries between power and powerlessness, between oneself and the other/the opposite, between watching and intervening are sounded out.
In AS FAR AS I CAN GO - radical movements, the body is used as a space for memory and transformation in order to seek out limits and borderline situations. Performance artists like Vlasta Delimar, Lala Nomada and the Gentle Women Group explore in which ways the body is shaped by scientific, cultural and social structures: the producer and the produced are united in the materiality of the body. The story told is a story of resistance, a story of inner conflicts and the fight for power and subjugation.
Autonomous artists pushing the limits, such as Alexander Viscio, Marko Markovic, Giovanni Morbin, Sinisa Labrovic, Selma Selman and Slaven Tolj, do not shy away from radical interventions in their performative works; self-inflicted injuries are part of finding their own limits.
press release: As far as I can go | radical movements
press photo 1: Alexander Viscio, Predator, 1982, B/W photography, performance, Edition: 3 + 2 AP,40 x 40 cm
press photo 3: Gentle Women Group, Stone, 2015, Video, Videostill, 13,11 min