Schleifmühlgasse 18 - 1040 Wien
+43-1-9207778 - info@galerie-stock.net
AV | YOUSEEWHATISAW
Alexander Viscio YOUSEEWHATISAW, exhibition view, details: Shadow of a Prayer Rug & The Fitting Room
The Fitting Room, 2018, Sculpture/Performance/Installation, Un upholstered chair with light fixture and wedding beads, 46 x 48 x 209 cm
The Fitting Room, 2018, Sculpture/Performance/Installation, Un upholstered chair with light fixture and wedding beads, 46 x 48 x 209 cm
Cell Block D, 2018, Sculpture/Performance/Installation, Un upholstered chair with light fixture, 46 x 48 x 81 cm
Cell Block D, 2018, Sculpture/Performance/Installation, Un upholstered chair with light fixture, 46 x 48 x 81 cm
The Fitting Room, 2018, Sculpture/Performance/Installation, Un upholstered chair with light fixture and wedding beads, 46 x 48 x 209 cm
Shadow of a Prayer Rug, 2018, Sculpture/Performance/Installation, Glass with pressed silicone on wood, 130 x 70 x 6 cm
YOUSEEWHATISAW, 2018, Sculpture/Performance/Installation, Wood with metal fasteners, 170 x 400 x 150 cm
YOUSEEWHATISAW, 2018, Sculpture/Performance/Installation, Wood with metal fasteners, 170 x 400 x 150 cm
Sobriety Test, 2017, Glass with Black Lack, 130 cm diameter
Six ways from Sunday makes for a full week, 2018 (digital rendering, Baryta, framed, 44 x 44 cm, edition: 7 + 2AP & 3D printed, blue, 20 x 20 x 20 cm, edition: 7 + 2AP)
Six Ways from Sunday makes for a full week, 2018, photography/baryta, digital rendering, 30 x30 cm, Edition: 7 + 2AP
Six ways from Sunday makes for a full week, 2018. sculptur, 3D printed, blue, 20 x 20 x 20 cm, edition: 7 + 2 AP
AV | public sculptures
Occupy A.I.R. 2012, Tuzla, 2012, video 5:12 min and 2 photos each 24 x 43 cm / Lambda, edition:7, © Kameleon M & M Group
Occupy AIR, 2012, Tuzla, Bosnia and Herzegovina, an outdoor interactive public sculpture, wood and humans with magic markers, 15 x 5 x 2 m
To commemorate the 20th
anniversary of a brutal war I built a modified form of the word “Occupy”. And after seeing thousands of names
etched in stone of people who died, I invited the citizens of Tuzla to enter the
space of the Sculpture and write their names and other messages. With this Occupy became an
interactive performance platform and a living monument to Life.
Occupy AIR 2012 Tuzla, B&H:
https://www.youtube.com/watch?v=4kY9kCwtOVY
http://www.galerie-stock.net/images/alexander_viscio/pictures/public_sculptures450px/01_450px.jpg
Occupy, 2013, wood,150 x 50 x 21 cm, unique
http://www.galerie-stock.net/images/alexander_viscio/pictures/public_sculptures450px/15_450px.jpg
Virtual Occupy, 2012, photography, 70 x 100 cm, digital rendering: Emir Salkic, edition: 7
http://www.galerie-stock.net/images/alexander_viscio/pictures/public_sculptures450px/20x29_450px.jpg
Drawing Occupy A.I.R., 2012, pencil on paper, 19,5 x 25 cm
Tuzla, 2012, series of photos / 5 images, Lambda, framed, unique + 2 AP (© Kameleon M&M Group), 1 x 34 x 24 cm / 1 x 24 x 24 cm / 2 x 24 x 25 cm / 1 x 30 x 40 cm
Occupy AIR, 2012, Tuzla, Bosnia and Herzegovina,
an outdoor interactive public sculpture, wood and humans with magic
markers, 15 x 5 x 2 m
To commemorate the 20th
anniversary of a brutal war I built a modified form of the word “Occupy”. And after seeing thousands of names
etched in stone of people who died, I invited the citizens of Tuzla to enter the
space of the Sculpture and write their names and other messages. With this Occupy became an
interactive performance platform and a living monument to Life.
Occupy AIR 2012 Tuzla, B&H:
https://www.youtube.com/watch?v=4kY9kCwtOVY
http://www.galerie-stock.net/images/alexander_viscio/pictures/public_sculptures450px/03_450px.jpg
O2S14, “Outsourcing to Sarajevo” 2014, Sarajevo, commissioned by the federal Chancellery of Austria, an interactive public sculpture and exhibition platform, PCV, wood and metal fasteners and quests, 20 x 6 x 2 m
To
commemorate the 2014 Centennial I built a modified form of the word
“Outsourcing”. I
invited14 artists from local communities to send a jpg of an image that was
formatted into
PCV wallpaper, covering the entire interior space and turning the sculpture
into an interactive
exhibition platform.
O2S14 Outsourcing to Sarajevo 2014:
https://www.youtube.com/watch?v=9b_0tjku_lw&feature=youtu.be
http://www.galerie-stock.net/images/alexander_viscio/pictures/public_sculptures450px/04_450px.jpg
O2S14, “Outsourcing to Sarajevo” 2014, Sarajevo, commissioned by the federal Chancellery of Austria, an interactive public sculpture and exhibition platform, PCV, wood and metal fasteners and quests, 20 x 6 x 2 m
http://www.galerie-stock.net/images/alexander_viscio/pictures/public_sculptures450px/05_450px.jpg
O2S14, “Outsourcing to Sarajevo” 2014, Sarajevo, commissioned by the federal Chancellery of Austria, an interactive public sculpture and exhibition platform, PCV, wood and metal fasteners and quests, 20 x 6 x 2 m
http://www.galerie-stock.net/images/alexander_viscio/pictures/public_sculptures450px/06_450px.jpg
O2S14, “Outsourcing to Sarajevo” 2014, Sarajevo, commissioned by the federal Chancellery of Austria, an interactive public sculpture and exhibition platform, PCV, wood and metal fasteners and quests, 20 x 6 x 2 m
http://www.galerie-stock.net/images/alexander_viscio/pictures/public_sculptures450px/07_450px.jpg
O2S14, “Outsourcing to Sarajevo” 2014, Sarajevo, commissioned by the federal Chancellery of Austria, an interactive public sculpture and exhibition platform, PCV, wood and metal fasteners and quests, 20 x 6 x 2 m
http://www.galerie-stock.net/images/alexander_viscio/pictures/public_sculptures450px/08_450px.jpg
O2S14, “Outsourcing to Sarajevo” 2014, Sarajevo, commissioned by the federal Chancellery of Austria, an interactive public sculpture and exhibition platform, PCV, wood and metal fasteners and quests, 20 x 6 x 2 m
http://www.galerie-stock.net/images/alexander_viscio/pictures/public_sculptures450px/35_450px.jpg
O2S14, “Outsourcing to Sarajevo” 2014, Sarajevo, commissioned by the federal Chancellery of Austria, an interactive public sculpture and exhibition platform, PCV, wood and metal fasteners and quests, 20 x 6 x 2 m
http://www.galerie-stock.net/images/alexander_viscio/pictures/public_sculptures450px/32_450px.jpg
O2S14, “Outsourcing to Sarajevo” 2014, Sarajevo, commissioned by the federal Chancellery of Austria, an interactive public sculpture and exhibition platform, PCV, wood and metal fasteners and quests, 20 x 6 x 2 m
http://www.galerie-stock.net/images/alexander_viscio/pictures/public_sculptures450px/10_450px.jpg
O2S14, “Outsourcing to Sarajevo” 2014, Sarajevo, commissioned by the federal Chancellery of Austria, an interactive public sculpture and exhibition platform, PCV, wood and metal fasteners and quests, 20 x 6 x 2 m
http://www.galerie-stock.net/images/alexander_viscio/pictures/public_sculptures450px/11_450px.jpg
“flipping” 2016-17, proposal for an outdoor public sculpture and exhibition platform, 18 x 13 x 2 m
http://www.galerie-stock.net/images/alexander_viscio/pictures/public_sculptures450px/12_450px.jpg
“flipping” 2016-17, proposal for an outdoor public sculpture and exhibition platform, 18 x 13 x 2 m
http://www.galerie-stock.net/images/alexander_viscio/pictures/public_sculptures450px/13_450px.jpg
“The Empty Gift” 2016-17, proposal for public sculpture, digital image, 25 x 30 cm
http://www.galerie-stock.net/images/alexander_viscio/pictures/public_sculptures450px/14_450px.jpg
AV | Vals
YOUSEEWHATISAW, 2018, Sculpture/Performance/Installation, Wood with metal fasteners, 170 x 400 x 150 cm
YOUSEEWHATISAW, 2018, Sculpture/Performance/Installation, Wood with metal fasteners, 170 x 400 x 150 cm
Six ways from Sunday makes for a full week, 2018, sculpture, wood / birch plywood, performance object, 3 x 3 x 3 m, unique + AP
Six ways from Sunday makes for a full week, 2017, performance documentation, photography / baryta paper, 28 x 50 cm, edition: 7 + 2 AP
Six ways from Sunday makes for a full week, 2018 photography / baryta paper, digital rendering: Alexander Viscio, Emir Salkic, 30 x 30 cm, edition: 7 + 2 AP
Six ways from Sunday makes for a full week, 2018 3D printed, colour: blue, 20 x 20 x 20 cm, edition: 7 + 2 AP
Six ways from Sunday makes for a full week, 2018 (digital rendering, Baryta, framed, 44 x 44 cm, edition: 7 + 2AP & 3D printed, blue, 20 x 20 x 20 cm, edition: 7 + 2AP)
Six ways from Sunday makes for a full week, 2006, sketch, pencil on paper,15 x 21 cm, unique
“Six ways from Sunday makes for a full week”, 2016-17, digital image of the artist’ view inside the sculpture, 30 x 51 cm
http://www.galerie-stock.net/images/alexander_viscio/pictures/vals450px/02_450px.jpg
Hardplace Rock, 2013, 250 cm in diameter x 80 cm in width
A Dynasphere made entirely of wood with the artist inside, rolls back and forth from one end of the Gallery space to the other. The words “Hard place” and “Rock” are cut into each side of the sculpture and used as hand holds.
http://www.galerie-stock.net/images/alexander_viscio/pictures/vals450px/03_450px.jpg
Hardplace Rock, 2013, 250 cm in diameter x 80 cm in width
A Dynasphere made entirely of wood with the artist inside, rolls back and forth from one end of the Gallery space to the other.The words “Hard place” and “Rock” are cut into each side of the sculpture and used as hand holds.
http://www.galerie-stock.net/images/alexander_viscio/pictures/vals450px/04_450px.jpg
Hardplace Rock, 2013, 250 cm in diameter x 80 cm in width
Greeting Slaven Tolj during the opening performance “Hardplace Rock”, Galerie Michaela Stock, Wien.
http://www.galerie-stock.net/images/alexander_viscio/pictures/vals450px/05_450px.jpg
Hang Gliding with a Lazy Boy, 2010, 3 meters x 5.5 meters x 2 meters
A stripped LazyBoy recliner with a canopy made from its upholstery.
http://www.galerie-stock.net/images/alexander_viscio/pictures/vals450px/06_450px.jpg
Easy Killers and other Software, 2001, Vienna, PCV, 300 x 300 x 300 cm
Artist rotating inside a giant schwimmflügle.
http://www.galerie-stock.net/images/alexander_viscio/pictures/vals450px/08_450px.jpg
Easy Killers and other Software, 2001, Vienna, PCV, 300 x 300 x 300 cm
Artist rotating inside a giant schwimmflügle.
http://www.galerie-stock.net/images/alexander_viscio/pictures/vals450px/09_450px.jpg
Easy Killers and other Software, 2001, Vienna, PCV, 300 x 300 x 300 cm
Artist rotating inside a giant schwimmflügle.
http://www.galerie-stock.net/images/alexander_viscio/pictures/vals450px/10_450px.jpg
Easy Killers and other Software, 2001, Vienna, PCV, 300 x 300 x 300 cm
Opening Night
http://www.galerie-stock.net/images/alexander_viscio/pictures/vals450px/11_450px.jpg
Johnny Walker’s Sobriety Test, 1999, Val - Video, duration: 9,15 min, edition: 50
Artist roaming Semper Depot Vienna inside a rattan basket with 5000 eggs.
http://www.galerie-stock.net/images/alexander_viscio/pictures/vals450px/12_450px.jpg
Johnny Walker’s Sobriety Test, 1999, Johnny Walker’s Sobriety Test, 1999, Val - Video, duration: 9,15 min, edition: 50
Artist roaming Semper Depot Vienna inside a rattan basket with 5000 eggs.
http://www.galerie-stock.net/images/alexander_viscio/pictures/vals450px/13_450px.jpg
Johnny Walker’s Sobriety Test, 1999, Johnny Walker’s Sobriety Test, 1999, Val - Video, duration: 9,15 min, edition: 50
Artist roaming Semper Depot Vienna inside a rattan basket with 5000 eggs.
http://www.galerie-stock.net/images/alexander_viscio/pictures/vals450px/14_450px.jpg
AV | performance
Saddlebags Skimmer, 2016, Video still/Digital print, 50 x 50 cm
http://www.galerie-stock.net/images/alexander_viscio/pictures/performance_prints450px/01_450px.jpg
The Ascent of the Empty Gift, 2016, digital print, baryta paper, 20 x 26 cm, edition:6
http://www.galerie-stock.net/images/alexander_viscio/pictures/performance_prints450px/02_450px.jpg
Transporting the Empty Gift, 2016, photography, baryta paper, 25 x 25 cm, edition: 6
http://www.galerie-stock.net/images/alexander_viscio/pictures/performance_prints450px/03_450px.jpg
Shooting Star, 2013, photography, performance, C-print, 20 x 30 cm, edition: 6
http://www.galerie-stock.net/images/alexander_viscio/pictures/performance_prints450px/04_450px.jpg
Inside verbal Seed, 2010, photography, performance, C-Print, 33 x 40 cm, edition: 6
http://www.galerie-stock.net/images/alexander_viscio/pictures/performance_prints450px/05_450px.jpg
Stand By Sebastian, 2004, photography, performance, C-print, 25 x 21 cm, photo: Pete Gmachl
http://www.galerie-stock.net/images/alexander_viscio/pictures/performance_prints450px/06_450px.jpg
A Cocktail with Your Reading, 2002, photography, performance, baryta paper, 22 x 16,5 cm, edition: 6
http://www.galerie-stock.net/images/alexander_viscio/pictures/performance_prints450px/07_450px.jpg
Artist at your Service I, 1986, photography, performance, baryta paper, 20 x 30 cm, photo: Wayne Steward, edition: 6
http://www.galerie-stock.net/images/alexander_viscio/pictures/performance_prints450px/08_450px.jpg
Artist at your Service II,1986, photography, performance, baryta paper, 20 x 30 cm, photo: Wayne Steward, edition: 6
http://www.galerie-stock.net/images/alexander_viscio/pictures/performance_prints450px/09_450px.jpg
Predator,1982, photography, studio portrait, baryta paper, 40 x 40 cm, photo: Dennis Balk, edition: 6
http://www.galerie-stock.net/images/alexander_viscio/pictures/performance_prints450px/10_450px.jpg
Predator on HWY 101, 1982, photography, baryta paper, 12 x 17,7 cm, edition: 6, film still: Ramzy Telley, Cage of Promise
http://www.galerie-stock.net/images/alexander_viscio/pictures/performance_prints450px/11_450px.jpg
Limb to Limb,1995, photography, perfomance,16 x 10 cm, photo: Craig S. Feder, edition: 6
Morals and Dogma,1980, photography, baryta paper, 17 x 10 cm, photo: Bob Stone, edition: 6
Octard dupuy, 2010, photography, baryta paper, 20 x 16 cm, edition: 6
Laika (Hurricane), 2006, white cotton overalls, 2387 glass mirror tiles, silicone, 160 x 60cm, photo: Matthias Bildstein
Laika (Hurricane), 2006, white cotton overalls, 2387 glass mirror tiles, silicone, 160 x 60cm
AV | works
The Fitting Room, 2018, Sculpture/Performance/Installation, Un upholstered chair with light fixture and wedding beads, 46 x 48 x 209 cm
The Fitting Room, 2018, Sculpture/Performance/Installation, Un upholstered chair with light fixture and wedding beads, 46 x 48 x 209 cm
Cell Block D, 2018, Sculpture/Performance/Installation, Un upholstered chair with light fixture, 46 x 48 x 81 cm
Shadow of a Prayer Rug, 2018, Sculpture/Performance/Installation, Glass with pressed silicone on wood, 130 x 70 x 6 cm
Sobriety Test, 2017, Glass with Black Lack, 130 cm diameter
Stocking Stuffers, Installation view, Spray-foam, pantyhose and zip-strips, from the show 4AM Los Angeles, 2014
http://www.galerie-stock.net/images/alexander_viscio/pictures/works_450px/01_450px.jpg
Mocha Chino, 2014, Spray-foam, pantyhose and zip-strips, 55 x 36 x 30 cm, from the show 4AM Los Angeles, 2014
http://www.galerie-stock.net/images/alexander_viscio/pictures/works_450px/02_450px.jpg
Char Sui, 2014, Digital print, 50 x 37 cm, from the show 4AM Los Angeles, 2014
http://www.galerie-stock.net/images/alexander_viscio/pictures/works_450px/03_450px.jpg
Tung Pao, Digital print, 50 x 37 cm, from the show 4AM Los Angeles, 2014
http://www.galerie-stock.net/images/alexander_viscio/pictures/works_450px/04_450px.jpg
Moon Cake Mai, Digital print, 50 x 37cm, from the show 4AM Los Angeles, 2014
http://www.galerie-stock.net/images/alexander_viscio/pictures/works_450px/05_450px.jpg
LazyBoy, 80 x 177 x 20 cm, Wood with leather cushion, from the installation Hang Gliding with a Lazy Boy, 2010
http://www.galerie-stock.net/images/alexander_viscio/pictures/works_450px/06_450px.jpg
Outsourcing, Wood, 40 x 127 x 20 cm, from “Dirty Words; models for larger spaces”, 2008
http://www.galerie-stock.net/images/alexander_viscio/pictures/works_450px/07_450px.jpg
Asshole, Wood, 30 x 100 x 20 cm, from “Dirty Words; models for larger spaces”, 2008
http://www.galerie-stock.net/images/alexander_viscio/pictures/works_450px/08_450px.jpg
Scumbag, Wood, 40 x 100 x 20 cm, from “Dirty Words; models for larger spaces”, 2008
http://www.galerie-stock.net/images/alexander_viscio/pictures/works_450px/09_450px.jpg
fuck, Wood, 31 x 65 x 20 cm, from “Dirty Words; models for larger spaces”, 2008
http://www.galerie-stock.net/images/alexander_viscio/pictures/works_450px/10_450px.jpg
Dirty Words, 2008, drawing, 20 x 30 cm
http://www.galerie-stock.net/images/alexander_viscio/pictures/works_450px/03_Drawing.jpg
Apostrophe, Plaster cast with wood mold, 26 x 19 x 13 cm, from “Dirty Words; models for larger spaces”, 2008
http://www.galerie-stock.net/images/alexander_viscio/pictures/works_450px/11_450px.jpg